How to Play “Smoke on the Water” Like a Rock Legend

Are you ready to embark on a musical adventure and conquer the iconic riff of “Smoke On The Water”? This legendary Deep Purple masterpiece has captivated generations of guitarists worldwide, and mastering it will elevate your skills to new heights. Whether you’re a seasoned player or an aspiring novice, this comprehensive guide will provide you with a step-by-step approach to unravel the secrets of this timeless tune.

To begin our journey, we will delve into the fundamental scales and chords that form the backbone of “Smoke On The Water.” The song’s unmistakable riff is rooted in the A minor pentatonic scale, an essential element in many rock and blues guitar solos. We will explore the nuances of this scale, enabling you to navigate the fretboard with confidence and precision. Additionally, we will master the A minor and C major chords, which provide the harmonic foundation upon which the riff is built.

With the scales and chords under your fingers, it’s time to piece together the iconic riff. We will break down the riff into its individual parts, analyzing the finger positioning, string selection, and timing. Through a series of clear and concise instructions, you will learn to execute each note with accuracy and fluidity. As we progress, we will delve into the nuances of the riff, including the use of bends and hammer-ons, which add to its distinctive character. By the end of this guide, you will have mastered the art of playing “Smoke On The Water” with precision and style, impressing your audience with your newfound guitar prowess.

Tuning Your Guitar for Smoke on the Water

Smoke on the Water is a legendary rock anthem by Deep Purple, renowned for its iconic riff and distinctive sound. To play this masterpiece on your guitar, it’s essential to tune your instrument correctly. Here’s a comprehensive guide to help you achieve the perfect tuning for this iconic song:

The traditional tuning for Smoke on the Water is known as “Drop D” tuning. This unconventional tuning involves lowering the pitch of the 6th (low E) string to a D note, while leaving the other strings in standard tuning:

String Standard Tuning Drop D Tuning
1st High E High E
2nd B B
3rd G G
4th D D
5th A A
6th Low E Low D

To tune your guitar to Drop D, follow these steps:

  1. Tune the 1st, 2nd, 3rd, 4th, and 5th strings to standard tuning using a guitar tuner or an online tuning tool.
  2. Use the tuner or your ear to lower the pitch of the 6th (low E) string by one whole step, until it matches the D note. You can do this by turning the tuning peg counterclockwise by approximately two to three rotations.
  3. Check the tuning of all the strings again to ensure they are in perfect harmony.

Alternatively, you can also use an electronic guitar tuner with a specific “Drop D” setting. This can simplify the process, as the tuner will automatically guide you through the adjustment of the low E string.

Once your guitar is tuned to Drop D, you’re ready to embark on playing the iconic Smoke on the Water riff and explore the full potential of this legendary song. Remember to practice and refine your technique to achieve the desired sound and groove.

Improvisation over the Progression

One of the most enjoyable aspects of Smoke on the Water is the freedom it allows for improvisation. The simple progression and repetitive nature of the riff provide an ideal foundation for exploring different melodic ideas.

Scales and Arpeggios

A good starting point for improvisation is to use the scales and arpeggios associated with the chords in the progression. For the Am chord, this would include the A minor scale and A minor arpeggio. For the C chord, it would be the C major scale and C major arpeggio.

Phrasing and Patterns

When improvising, it’s essential to pay attention to your phrasing and patterns. Avoid playing long, rambling lines that don’t have a clear direction. Instead, try to create concise, melodic phrases that develop logically. Experiment with different rhythmic patterns and syncopations to add interest to your solos.

Playing with Dynamics

Don’t be afraid to vary the volume and intensity of your playing. Use softer dynamics for subtle melodies and louder dynamics for more aggressive passages. This will help create contrast and keep your solos engaging.

Adding Effects

Effects pedals can be a great way to enhance your improvisations and create unique sounds. Some popular effects for Smoke on the Water include:

  • Distortion: A slight amount of distortion can add a grungy edge to your sound, especially when playing the riff.
  • Chorus: Adding some chorus can create a wider, more spacious sound, ideal for atmospheric melodies.
  • Delay: A short delay can add depth and interest to your playing by creating echoes that follow your notes.

Practice and Patience

Like any skill, improvisation takes practice and patience to develop. Don’t expect to become a master improviser overnight. Start by experimenting with simple ideas and building on them gradually over time. The more you practice, the more comfortable and confident you will become.

13. Additional Improvisation Tips

Here are a few additional tips for improvising over the Smoke on the Water progression:

  • Use chromatic notes: Chromatic notes (notes that are not part of the scale) can add tension and interest to your solos. Try using them sparingly to avoid making your melodies sound too dissonant.
  • Think in terms of call and response: Many solos are built on the concept of call and response. Start with a simple phrase and then answer it with a related phrase that develops the idea further.
  • Add some blues licks: Blues licks can be a great way to add some character and emotion to your solos. Experiment with different blues scales and techniques to find what works best for you.
  • Listen to your favorite guitarists: One of the best ways to improve your improvisation is to listen to your favorite guitarists and study their solos. Try to identify the techniques and ideas they use and incorporate them into your own playing.
  • Don’t be afraid to make mistakes: Mistakes are a natural part of the learning process. Don’t let them discourage you. Keep practicing and you will eventually develop the confidence and skills to improvise fluently.
Chord Scales/Arpeggios
Am A minor scale, A minor arpeggio
C C major scale, C major arpeggio

The Classic Outro

The iconic outro of “Smoke on the Water” has become one of the most recognizable and beloved guitar riffs in rock history. Its simple yet powerful melody, combined with the thunderous drums and layered vocals, leaves an unforgettable impression on the listener. Here’s a step-by-step guide to playing the classic outro:

1. The Basic Riff

The foundation of the outro is a simple two-note riff played on the A and D strings. Start by placing your index finger on the 5th fret of the A string and your middle finger on the 7th fret of the D string. Strike both strings down with your pick.

2. Adding the Power Chords

To add depth and power to the riff, we’ll incorporate power chords. Power chords are played by strumming only the root and fifth notes of a chord. For the G power chord, place your index finger on the 3rd fret of the high E string and your ring finger on the 5th fret of the A string. Only strum the high E and A strings, leaving the D string open.

3. The Em Hammer-On

Now, we’ll add a subtle hammer-on to the riff. This technique involves striking a note and then quickly “hammering” on another note on the same string. For the Em hammer-on, place your index finger on the 2nd fret of the A string, then strike the A string. Immediately after, hammer your index finger up to the 3rd fret, forming the E minor chord.

4. The D Note

After the Em hammer-on, transition to the D note by placing your index finger on the 2nd fret of the D string. Strike the D string, then hold it as you continue with the next step.

5. The Rhythmic Variation

To add a rhythmic variation to the riff, we’ll play the “and” of each beat. This means striking the guitar just after the main beat of the measure. For example, play the D note on the downbeat, then strike the A and D string riff on the “and” of beat one. Repeat this pattern for the entire outro.

6. The F# Power Chord

To further enhance the outro, we’ll incorporate the F# power chord. This chord is played by placing your index finger on the 2nd fret of the high E string and your ring finger on the 4th fret of the A string. Only strum the high E and A strings.

7. The B Note

After the F# power chord, transition to the B note by placing your index finger on the 7th fret of the high E string. Strike the high E string, then hold it as you continue with the next step.

8. The G Power Chord

Return to the G power chord by placing your index finger on the 3rd fret of the high E string and your ring finger on the 5th fret of the A string. Only strum the high E and A strings.

9. The Em Hammer-On (Repeat)

Repeat the Em hammer-on from step 3. Place your index finger on the 2nd fret of the A string, strike the A string, then immediately hammer your index finger up to the 3rd fret, forming the E minor chord.

10. The D Note (Repeat)

Repeat the D note from step 4. Place your index finger on the 2nd fret of the D string and strike it.

11. The A-D-A Riff

To conclude the outro, we’ll play a simple A-D-A riff. Place your index finger on the 5th fret of the A string and your middle finger on the 7th fret of the D string for the A note. Then, move your index finger to the 5th fret of the D string for the D note, and return to the A note by placing your index finger on the 5th fret of the A string. Repeat this pattern.

12. The Coda

The outro concludes with a brief coda. Place your index finger on the 3rd fret of the A string and your ring finger on the 5th fret of the D string. Strike both strings down with your pick, holding the chord for a few beats.

13. The Repeat

Repeat steps 2-11 as many times as desired to extend the outro.

14. Improvisation and Variation

Once you’ve mastered the basic structure of the outro, feel free to experiment with improvisation and variations. Try adding your own guitar licks, altering the timing, or incorporating new chords. The beauty of the “Smoke on the Water” outro lies in its versatility and adaptability.

Step

Details

1

Place index finger on 5th fret of A string and middle finger on 7th fret of D string

2

Place index finger on 3rd fret of high E string and ring finger on 5th fret of A string

3

Place index finger on 2nd fret of A string, strike string, then hammer to 3rd fret

4

Place index finger on 2nd fret of D string and strike string

5

Play A-D string riff on “and” of each beat

6

Place index finger on 2nd fret of high E string and ring finger on 4th fret of A string

7

Place index finger on 7th fret of high E string and strike string

8

Place index finger on 3rd fret of high E string and ring finger on 5th fret of A string

9

Repeat Em hammer-on from step 3

10

Repeat D note from step 4

11

Play A-D-A riff

12

Place index finger on 3rd fret of A string and ring finger on 5th fret of D string

13

Repeat steps 2-11

14

Improvise and add variations

**Tips for Beginners**

Playing “Smoke on the Water” on guitar can be a rewarding experience, but it requires some practice and determination. Here are some tips for beginners to help you master this iconic riff:

**1. Start with the Basics**

Before tackling “Smoke on the Water,” ensure you have a solid foundation in guitar playing. Practice basic chords, scales, and strumming patterns to develop your finger dexterity and coordination.

**2. Learn the Rhythm**

The rhythm of “Smoke on the Water” is crucial. Listen carefully to the song and practice tapping your foot or clapping along with the beat to internalize the timing. A metronome can also help you maintain a steady tempo.

**3. Master the Power Chords**

The riff consists primarily of power chords, which are two-note chords that create a heavy, distorted sound. Practice playing the A5, G5, and C5 power chords, focusing on clean transitions between them.

**4. Focus on Accuracy**

Initially, don’t worry about speed. Instead, concentrate on playing the notes cleanly and accurately. Use a slower tempo and gradually increase the speed as you gain confidence.

**5. Practice Fingerpicking**

The intro of “Smoke on the Water” features a fingerpicking pattern that adds a melodic touch. Practice the “pinch and pull” technique to produce the distinctive arpeggiated sound.

**6. Break it Down**

Break the riff into smaller sections and practice them individually. This will help you focus on specific parts and develop muscle memory.

**7. Use a Pick or Fingers**

You can play “Smoke on the Water” with either a pick or your fingers. Experiment with both methods to find what feels most comfortable and sounds best to you.

**8. Adjust Your Guitar**

Ensure your guitar is properly tuned and intonated. Proper intonation allows the notes to ring clearly and in tune, especially when playing power chords.

**9. Experiment with Distortion**

The heavy sound of “Smoke on the Water” comes from distortion. Use a distortion pedal or amp setting to add some grit to your power chords and make them sound fuller.

**10. Listen to Recordings**

Listen to different recordings of “Smoke on the Water” to study the nuances of the playing. Pay attention to the timing, phrasing, and guitar tone to improve your interpretation.

**11. Find a Teacher or Online Resources**

If you encounter difficulties or need additional guidance, consider finding a guitar teacher or using online resources such as video tutorials and interactive lessons.

**12. Practice Regularly**

Consistent practice is key to mastering any guitar piece. Set aside regular time each day to practice “Smoke on the Water” and work towards improving your accuracy, speed, and overall performance.

**13. Don’t Give Up**

Learning to play “Smoke on the Water” takes time and effort. Don’t get discouraged by setbacks or mistakes. Keep practicing, focus on progress, and enjoy the journey.

**14. Have Fun**

“Smoke on the Water” is a classic rock anthem. Playing it should be an enjoyable experience. Approach it with a positive attitude, have fun, and let the music inspire you.

**15. Table of Basic Techniques**

Technique Description
Power Chords Two-note chords played on the lowest three or four strings, creating a heavy, distorted sound.
Fingerpicking Using individual fingers to pluck the strings, producing an arpeggiated sound.
Palm Muting Using the palm of your picking hand to lightly touch the strings near the bridge, creating a muffled, percussive sound.
Barre Chords Chords played using one finger to fret multiple strings on the same fret, creating richer and fuller harmonies.
Legato Playing consecutive notes smoothly and connectedly, without a break in between.

Mastering the Palm-Muting Sound

Palm-muting is a technique that’s essential for capturing the signature sound of Smoke on the Water. It involves using the fleshy part of your palm to lightly rest on the strings near the bridge, creating a muted, percussive effect.

Steps to Master Palm-Muting

  1. Position your hand correctly: Place the side of your dominant hand palm-down, with the fleshy part of your palm resting lightly on the strings. Your thumb should be positioned behind the neck, forming a "C" shape with your fingers.

  2. Control the pressure: Gently press down on the strings with your palm, just enough to make contact and dampen their vibrations without completely muting them. The amount of pressure you apply will affect the intensity of the palm-muting sound.

  3. Glide your palm: As you strum the strings, keep your palm moving in a controlled manner, muting each string as needed. Don’t press down too hard, as this can create a dull, thudding sound.

  4. Synchronize with your strumming: The timing of your palm-muting is crucial. Make sure to mute the strings in sync with your strumming pattern to achieve a consistent and rhythmic effect.

Variations of Palm-Muting

  1. Heavy palm-muting: This technique involves pressing down on the strings more firmly, creating a heavier, more pronounced muted sound. It’s often used for creating a "chugging" effect.

  2. Light palm-muting: As the name suggests, this technique requires a lighter touch on the strings, resulting in a more subtle muted sound. It’s commonly used for adding texture and rhythm to chords.

  3. Hybrid palm-muting: This technique combines elements of both heavy and light palm-muting, creating a dynamic and varied muted sound. It involves varying the pressure applied to the strings as you strum.

Tips for Palm-Muting

  1. Experiment with different parts of your palm: Try using different sections of your palm, such as the base or the edge, to find the sound you prefer.

  2. Use your pinky finger: Engage your pinky finger to help control the muting pressure on the lower strings.

  3. Practice regularly: Mastering palm-muting takes time and practice. Dedicate time to practicing different techniques and finding what works best for you.

Palm-Muting Exercise

To improve your palm-muting skills, try this exercise:

  • Strum the open D chord (xx0232) while lightly palm-muting the strings.
  • Slowly increase the palm-muting pressure, experimenting with different levels of muting intensity.
  • Try strumming a simple chord progression, such as G-C-D, while palm-muting throughout.

Palm-Muting Table

Palm-Muting Technique Description
Heavy Palm-Muting Firm pressure on the strings, creating a heavy muted sound
Light Palm-Muting Gentle pressure on the strings, producing a subtle muted sound
Hybrid Palm-Muting Combinations of heavy and light palm-muting, creating dynamic muted effects

Creating a Full Band Arrangement

1. Rhythm Guitar

The rhythm guitar plays the main riff of the song. Start by playing the open D string on the 5th fret of the low E string. Then, play the open A string on the 5th fret of the A string. Finally, play the open E string on the 5th fret of the D string. Repeat this pattern for the duration of the riff.

2. Lead Guitar

The lead guitar plays a simple melody over the rhythm guitar riff. Start by playing the open D string on the 7th fret of the high E string. Then, play the open A string on the 7th fret of the B string. Finally, play the open E string on the 7th fret of the G string. Repeat this pattern for the duration of the melody.

3. Bass Guitar

The bass guitar plays a simple bass line that supports the rhythm and lead guitars. Start by playing the open D string on the 5th fret of the low E string. Then, play the open A string on the 5th fret of the A string. Finally, play the open E string on the 5th fret of the D string. Repeat this pattern for the duration of the bass line.

4. Drums

The drums play a simple beat that keeps the song moving. Start by playing the bass drum on the 1st and 3rd beats of each measure. Then, play the snare drum on the 2nd and 4th beats of each measure. Finally, play the hi-hat on every beat of each measure.

5. Vocals

The vocals sing the lyrics of the song. The lyrics are relatively simple, so you should be able to learn them quickly. Start by singing the first verse of the song. Then, sing the chorus. Finally, sing the second verse and chorus. Repeat this pattern until the song is finished.

6. Creating a Full Band Arrangement

Once you have learned the basic parts of the song, you can start to create a full band arrangement. Start by playing the rhythm guitar riff on your guitar. Then, have the lead guitar play the melody over the riff. Next, have the bass guitar play the bass line. Finally, have the drums play the beat. Once you have all of the parts playing together, you can start to experiment with different arrangements. For example, you could have the lead guitar play a different melody over the riff, or you could have the bass guitar play a more complex bass line. The possibilities are endless.

7. Tips for Playing Smoke on the Water

Here are a few tips for playing Smoke on the Water:

  • Make sure you are playing the riff in time. The riff is in 4/4 time, so each measure has four beats.
  • Use a metronome to help you keep time. A metronome is a device that plays a steady beat, which can help you stay on track.
  • Practice the riff slowly at first. Once you have the riff down, you can start to speed it up.
  • Don’t be afraid to experiment with different arrangements. The possibilities are endless.

8. Troubleshooting

If you are having trouble playing Smoke on the Water, here are a few troubleshooting tips:

  • Make sure you are playing the riff in the correct key. The riff is in the key of Dm.
  • Make sure you are using the correct fingering. The fingering for the riff is shown in the tablature below.
  • Make sure you are playing the riff at the correct speed. The riff is played at a tempo of 120 bpm.

    9. Additional Resources

    Here are a few additional resources that may be helpful:

    • YouTube video tutorial
    • Ultimate-Guitar tablature
    • Songsterr bass tablature

      10. Conclusion

      Smoke on the Water is a classic rock song that is relatively easy to play. With a little practice, you should be able to master the riff and play the song all the way through. So get out your guitar and start playing!

      Play-Along Video Tutorial

      For a visual demonstration of how to play “Smoke on the Water,” follow the instructions in the video below. The video provides a step-by-step guide, showing you how to finger each note and strum the chords.

      Note: The video assumes you have a basic understanding of guitar playing and are familiar with the chords and strumming patterns used in the song.

      If you are a beginner, it’s recommended to start with a more basic guitar lesson that covers the fundamentals of playing the instrument.

      Breakdown of the Intro Riff

      The intro riff of “Smoke on the Water” is one of the most recognizable guitar riffs in rock history. It is played using a combination of power chords and single notes, creating a distinctive and catchy melody.

      Here’s a detailed breakdown of the intro riff:

      Bar Chords/Notes Strumming Pattern
      1 Dm5
      (x577xx)
      Down
      2 G5
      (355xxx)
      Down
      3 C5
      (x35543)
      Down
      4 Dm5
      (x577xx)
      Down
      5 Am
      (x02210)
      Down
      6 E5
      (022xxx)
      Down
      7 A (5th fret)
      (002220)
      Up
      8 D (7th fret)
      (xx0232)
      Down

      Note: The “x” in the chord diagrams above indicates that the string is not played.

      To play the intro riff, follow these steps:

      1. Start by placing your index finger on the 5th fret of the high E string (the thinnest string). This is the root note of the Am chord.
      2. Place your middle finger on the 7th fret of the high E string. This is the 3rd of the Am chord.
      3. Strum down on the strings with a downstroke.
      4. Move your index finger to the 2nd fret of the high E string, and your middle finger to the 4th fret of the A string (the next thickest string). This is the E5 chord.
      5. Strum down on the strings with another downstroke.
      6. Move your index finger to the 3rd fret of the high E string, and your middle finger to the 5th fret of the A string. This is the A chord.
      7. Strum up on the strings with an upstroke.
      8. Finally, move your index finger to the 7th fret of the high E string, and your middle finger to the 9th fret of the A string. This is the D chord.
      9. Strum down on the strings with a downstroke.

      Repeat these steps to play the complete intro riff.

      Playing the Song on Different Guitar Types

      Smoke on the Water can be played on various guitar types, each offering unique tonal characteristics. Let’s explore the nuances of playing this iconic riff on different guitars:

      Electric Guitar

      Electric guitars are the traditional choice for playing Smoke on the Water. The high-gain distortion and sustain of electric guitars create the signature heavy, bluesy sound of the riff. The use of a wah pedal can further enhance the expressive nature of the solo.

      Acoustic Guitar

      Acoustic guitars provide a more mellow and unplugged sound for playing Smoke on the Water. The natural resonance of the guitar’s body lends a warm and resonant tone to the riff. Fingerpicking or a light strumming pattern creates a more subdued but still evocative interpretation.

      12-String Guitar

      12-string guitars add an extra layer of richness and depth to Smoke on the Water. The doubled strings create a shimmering, jangly sound that complements the melodic and harmonic complexity of the riff. The use of a capo on the third fret allows for more comfortable playing.

      Bass Guitar

      Bass guitars can provide a solid foundation for Smoke on the Water by playing the root notes of the chords. Slap bass techniques or muted playing styles can add rhythmic interest and groove to the riff. The lower register of the bass emphasizes the underlying harmonic structure.

      Classical Guitar

      Classical guitars offer a unique and delicate take on Smoke on the Water. The nylon strings produce a softer, more articulate sound that allows for intricate fingerpicking patterns and subtle nuances in the melody. The use of a tremolo or a Flamenco-style strumming pattern can add a touch of exoticism.

      Ukulele

      Ukuleles can provide a surprisingly fun and cheerful interpretation of Smoke on the Water. The small size and nylon strings create a quaint and intimate tone. Fingerpicking or strumming patterns can create a light and buoyant rendition of the riff.

      Lap Steel Guitar

      Lap steel guitars offer a unique sliding and bending technique that can add a soulful and expressive dimension to Smoke on the Water. The use of a slide to create smooth glides and vibrato effects can enhance the melodic and improvised sections of the riff.

      Banjo

      Banjos can add a rustic and playful flair to Smoke on the Water. The use of a fingerpicking style or a clawhammer technique can create a lively and rhythmic interpretation of the riff. The banjo’s bright and twangy sound provides a unique contrast to the heavy distortion of electric guitars.

      Mandolin

      Mandolins offer a higher register and a crisp, clear sound for playing Smoke on the Water. The use of tremolo techniques or fast picking patterns can create an energetic and intricate interpretation of the riff. The mandolin’s compact size allows for easy portability.

      Dobro Guitar

      Dobro guitars provide a resonant and metallic sound that can add a raw and bluesy feel to Smoke on the Water. The use of a slide or lap-style playing techniques can create a distinctive and evocative interpretation of the riff. The Dobro’s unique resonator body enhances the sustain and projection of the sound.

      Playing the Song in Different Keys

      Smoke on the Water can be played in various keys to suit different vocal ranges and instrumental arrangements. The following table provides the relative difficulty and recommended tuning for playing the song in different keys:

      Key Difficulty Recommended Tuning
      C minor (original key) Moderate Standard tuning (E A D G B e)
      D minor Easy Drop D tuning (D A D G B e)
      G minor Easy Standard tuning with capo on 3rd fret
      A minor Moderate Standard tuning with capo on 5th fret
      B minor Hard Standard tuning with capo on 7th fret

      Fingerpicking the Main Riff

      This iconic riff is played with a fingerpicking pattern, which involves using your thumb and index finger to pluck the strings. The pattern is as follows:

      • Downstroke with the thumb: Thumb on the bass note (low E string, 7th fret)
      • Upstroke with the index finger: Index finger on the A string (5th string, 5th fret)
      • Downstroke with the thumb: Thumb on the D string (4th string, 5th fret)
      • Upstroke with the index finger: Index finger on the G string (3rd string, 5th fret)
      • Downstroke with the thumb: Thumb on the B string (2nd string, 7th fret)
      • Upstroke with the index finger: Index finger on the high E string (1st string, 7th fret)

      The pattern repeats continuously throughout the riff.

      Picking Technique

      For a clean and precise sound, use the following picking technique:

      1. Keep your thumb and index finger curved and relaxed.
      2. Use the fleshy part of your thumb and the tip of your index finger to pluck the strings.
      3. Pluck the strings with a downward or upward motion, depending on the pattern.
      4. Avoid scraping the strings against the frets.

      Finger Positioning

      The finger positioning for the main riff is crucial for accuracy and clarity. Here’s how to position your fingers:

      Finger String Fret
      Thumb Low E 7th
      Index finger A 5th
      Thumb D 5th
      Index finger G 5th
      Thumb B 7th
      Index finger High E 7th

      Keep your fingers slightly arched and slightly curled upwards for better control and ease of movement.

      Practice Tips

      To master the fingerpicking pattern and finger positioning, follow these practice tips:

      • Start slowly: Begin by practicing the pattern slowly, focusing on accuracy and picking technique.
      • Use a metronome: Use a metronome to keep a steady beat and improve your timing.
      • Break it down: Practice the riff in smaller sections to improve your coordination and avoid mistakes.
      • Listen and analyze: Listen to recordings of the riff to identify the precise picking and timing.
      • Be patient and consistent: Fingerpicking takes practice and repetition. Stay consistent with your practice and you will gradually improve.

      Learn the “Smoke on the Water” Bass Line

      ### Step 36: Move Your Finger to the 5th Fret (Root A Note)

      Slide your second finger down two frets to the 5th fret on the same E string. This is the root note A. Play this note four times in a row, using a downstroke for each note.

      ### Step 37: Slide Back to the 3rd Fret (Root G Note)

      Slide your finger back to the 3rd fret on the E string. This is the root note G. Play this note four times in a row, using a downstroke for each note.

      ### Step 38: Slide Up to the 5th Fret (Root A Note)

      Slide your finger up to the 5th fret on the E string. This is the root note A. Play this note four times in a row, using a downstroke for each note.

      ### Step 39: Pull Off to the 3rd Fret (Root G Note)

      Pull off your finger from the 5th fret to the 3rd fret on the E string. This is the root note G. Play this note twice, using a downstroke for each note.

      ### Step 40: Slide Up to the 5th Fret (Root A Note)

      Slide your finger up to the 5th fret on the E string. This is the root note A. Play this note once, using a downstroke.

      ### Step 41: Move Your Finger to the 7th Fret (Root B Note)

      Slide your third finger up two frets to the 7th fret on the A string. This is the root note B. Play this note four times in a row, using a downstroke for each note.

      ### Step 42: Slide Back to the 5th Fret (Root A Note)

      Slide your finger back to the 5th fret on the A string. This is the root note A. Play this note four times in a row, using a downstroke for each note.

      ### Step 43: Slide Up to the 7th Fret (Root B Note)

      Slide your finger up to the 7th fret on the A string. This is the root note B. Play this note four times in a row, using a downstroke for each note.

      ### Step 44: Pull Off to the 5th Fret (Root A Note)

      Pull off your finger from the 7th fret to the 5th fret on the A string. This is the root note A. Play this note twice, using a downstroke for each note.

      ### Step 45: Slide Up to the 7th Fret (Root B Note)

      Slide your finger up to the 7th fret on the A string. This is the root note B. Play this note once, using a downstroke.

      ### Step 46: Move Your Finger to the 9th Fret (Root C Note)

      Slide your fourth finger up two frets to the 9th fret on the D string. This is the root note C. Play this note four times in a row, using a downstroke for each note.

      ### Step 47: Slide Back to the 7th Fret (Root B Note)

      Slide your finger back to the 7th fret on the D string. This is the root note B. Play this note four times in a row, using a downstroke for each note.

      ### Step 48: Slide Up to the 9th Fret (Root C Note)

      Slide your finger up to the 9th fret on the D string. This is the root note C. Play this note four times in a row, using a downstroke for each note.

      ### Step 49: Pull Off to the 7th Fret (Root B Note)

      Pull off your finger from the 9th fret to the 7th fret on the D string. This is the root note B. Play this note twice, using a downstroke for each note.

      ### Step 50: Slide Up to the 9th Fret (Root C Note)

      Slide your finger up to the 9th fret on the D string. This is the root note C. Play this note once, using a downstroke.

      ### Step 51: Move Your Finger to the 10th Fret (Root C# Note)

      Slide your fourth finger up one fret to the 10th fret on the G string. This is the root note C#. Play this note four times in a row, using a downstroke for each note.

      ### Step 52: Slide Back to the 9th Fret (Root C Note)

      Slide your finger back to the 9th fret on the G string. This is the root note C. Play this note four times in a row, using a downstroke for each note.

      ### Step 53: Slide Up to the 10th Fret (Root C# Note)

      Slide your finger up to the 10th fret on the G string. This is the root note C#. Play this note four times in a row, using a downstroke for each note.

      ### Step 54: Pull Off to the 9th Fret (Root C Note)

      Pull off your finger from the 10th fret to the 9th fret on the G string. This is the root note C. Play this note twice, using a downstroke for each note.

      ### Step 55: Slide Up to the 10th Fret (Root C# Note)

      Slide your finger up to the 10th fret on the G string. This is the root note C#. Play this note once, using a downstroke.

      ### Step 56: Repeat the Bass Line

      Repeat the bass line from the beginning, starting with Step 36.

      The “Most Overplayed Rock Song” Debate

      The debate over whether “Smoke on the Water” is the most overplayed rock song is a long-standing one. Some argue that its ubiquity has made it trite and overplayed, while others maintain that its popularity is a testament to its enduring appeal.

      Arguments for Overplay

      Those who argue that “Smoke on the Water” is overplayed point to its constant presence on classic rock radio stations and its inclusion in countless guitar lessons and tutorials. They contend that its overexposure has diminished its impact and made it a tired cliché.

      Arguments Against Overplay

      Those who argue against the overplay argument point to the song’s technical brilliance. They note the band’s innovative use of distortion and feedback and the song’s iconic guitar riff, which has become one of the most recognizable in rock history. They argue that these elements, along with the song’s catchy melody, make it a classic that deserves its place in the rock canon despite its ubiquity.

      Cultural Impact

      “Smoke on the Water” has had a profound cultural impact, transcending its status as a rock song and becoming a cultural touchstone. It has been featured in countless films, television shows, and video games, and its iconic riff has been sampled and imitated by countless artists.

      Technical Analysis

      The song’s technical brilliance lies in its simplicity. The verse consists of a simple 12-bar blues progression, while the chorus is based on a descending chromatic scale. The guitar solo, performed by Ritchie Blackmore, is a masterpiece of improvisational playing, featuring a mix of pentatonic scales and double stops.

      Historical Context

      “Smoke on the Water” was written in 1972, during a period of great turmoil in the world. The Vietnam War was raging, and tensions were high. The song’s lyrics, which reference a fire at the Montreux Casino during a Frank Zappa concert, reflect the sense of frustration and unease during this time.

      Critical Reception

      Upon its release, “Smoke on the Water” received mixed reviews from critics. Some praised its technical brilliance, while others criticized its simplicity and overuse of distortion. However, the song’s popularity with fans quickly overshadowed any negative reviews.

      Commercial Success

      “Smoke on the Water” was a commercial success, reaching number 4 on the Billboard Hot 100 chart and selling millions of copies worldwide. It has been certified platinum by the Recording Industry Association of America (RIAA) and has been inducted into the Grammy Hall of Fame.

      Legacy

      “Smoke on the Water” continues to be one of the most popular and recognizable rock songs of all time. Its enduring appeal is due to its catchy melody, iconic guitar riff, and cultural significance. It is a song that transcends generations and continues to inspire and entertain.

      Stats and Trivia

      Here are some interesting stats and trivia about “Smoke on the Water”:

      Step Finger Fret String Note
      36 2 5 E A
      37 2 3 E G
      38 2 5 E A
      39 2 3 E G
      40 2 5 E A
      41 3 7 A B
      42 3 5 A A
      43 3 7 A B
      44 3 5 A A
      45 3 7 A B
      46 4 9 D C
      47 4 7 D B
      48 4 9 D C
      49 4 7 D B
      50 4 9 D C
      51 4 10 G C#
      52 4 9 G C
      53 4 10 G C#
      54 4 9 G C
      55 4 10
      Stat Value
      Year of Release 1972
      Album Machine Head
      Writers Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord, Ian Paice
      Highest Chart Position (US) 4
      RIAA Certification Platinum
      Grammy Hall of Fame Induction 2018

      “Smoke on the Water” for Beginners

      1. Intro

      “Smoke on the Water” is a classic rock song by Deep Purple, released in 1973. It’s one of the most iconic and recognizable riffs in rock history, making it an ideal choice for beginners learning the guitar.

      2. Tuning & Setup

      Before you begin, ensure your guitar is tuned to standard tuning (E, A, D, G, B, e). You’ll also need a guitar pick and some basic chords (C, G, D, Am).

      3. Basic Strumming Pattern

      Start by practicing a simple down-up strumming pattern. Hold the pick between your thumb and forefinger and lightly strum the strings in a downward motion, followed by an upward motion.

      4. Main Riff (Part A)

      Now, let’s tackle the main riff of “Smoke on the Water.” Place your index finger on the 5th fret of the low E string (open string), middle finger on the 7th fret of the A string, and pinky finger on the 9th fret of the D string.

      Strum the open E string once and then play the three-note chord (A, D, G). Repeat this sequence while continuing the strumming pattern.

      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-7——–|
      B|-0——–|
      e|-0——–|

      5. Main Riff (Part B)

      For the second part of the riff, slide your index finger from the 5th fret of the E string to the 7th fret, creating an octave jump. Continue the strumming pattern.
      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-7——–|
      B|-0——–|
      e|-7——–|

      6. Main Riff (Part C)

      The final part of the riff consists of a pull-off on the low E string. Play the open E string with your index finger and then quickly pull it off to the 3rd fret, creating a hammer-on effect. Continue the strumming pattern.
      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-7——–|
      B|-0——–|
      e|-0–3——|

      7. Putting It Together

      Combine the three parts of the main riff (A, B, C) to play the complete riff. Repeat it multiple times, maintaining the strumming pattern.

      8. C Chord

      Before moving on to the solo, let’s learn the C chord. Place your index finger on the 2nd fret of the B string, middle finger on the 4th fret of the D string, and ring finger on the 5th fret of the A string.
      E|-0———|
      A|-0———|
      D|-2———|
      G|-0———|
      B|-1———|
      e|-0———|

      9. G Chord

      Practice the G chord. Place your index finger on the 3rd fret of the A string, middle finger on the 5th fret of the B string, and pinky finger on the 7th fret of the e string.
      E|-3———|
      A|-2———|
      D|-0———|
      G|-0———|
      B|-0———|
      e|-3———|

      10. D Chord

      Finally, let’s learn the D chord. Place your index finger on the 2nd fret of the A string, middle finger on the 3rd fret of the G string, and pinky finger on the 2nd fret of the D string.
      E|-2———|
      A|-0———|
      D|-0———|
      G|-2———|
      B|-3———|
      e|-2———|

      11. Solo Intro (Am Chord)

      The solo begins with a simple Am chord. Place your index finger on the 2nd fret of the E string, middle finger on the 3rd fret of the D string, and ring finger on the 1st fret of the G string.
      E|-0———|
      A|-1———|
      D|-2———|
      G|-2———|
      B|-1———|
      e|-0———|

      12. Solo Phrase 1

      Now, we’ll play the first phrase of the solo. Use your pinky finger to bend the G string on the 7th fret up to the 10th fret. Slide your middle finger from the 5th fret of the G string to the 7th fret. Repeat this sequence.
      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-7b10r7—|
      B|-0——–|
      e|-0——–|

      13. Solo Phrase 2

      For the second phrase of the solo, use your pinky finger to bend the G string on the 7th fret up to the 10th fret again. Slide your middle finger from the 5th fret of the G string to the 7th fret, then to the 9th fret, and finally to the 12th fret.
      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-7b10r7—|
      B|-0——–|
      e|-0——–|

      14. Solo Phrase 3

      In this phrase, you’ll combine the previous two phrases. Bend the G string on the 7th fret up to the 10th fret and slide your middle finger from the 5th fret to the 7th fret, then to the 9th fret, and finally to the 12th fret. Release the bend and play the open E string.
      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-7b10r7—7-9-12-0-|
      B|-0——–|
      e|-0——–|

      15. Solo Phrase 4

      For the final phrase of the solo, start by playing the open G string. Slide your middle finger from the 5th fret to the 7th fret and then hammer-on to the 9th fret. Finally, bend the G string on the 12th fret up to the 15th fret.
      E|-0——–|
      A|-0——–|
      D|-0——–|
      G|-0-5-7h9–12b15r12-|
      B|-0——–|
      e|-0——–|

      16. Outro

      The song ends with a simple yet effective outro. Just play the following sequence: C, G, D, Am, G, C.

      17. Riff Variations

      Once you’ve mastered the main riff, you can experiment with variations to add some spice to your playing. Try skipping the slide from the 5th fret to the 7th fret in Part A, or experiment with different bends and slides in the solo.

      18. Practice Tips

      Consistent practice is key to improving your “Smoke on the Water” skills. Set aside a dedicated practice time each day, even if it’s just for 15 minutes. Focus on accuracy and timing, and don’t get discouraged if you make mistakes.

      19. Rhythm Guitar Chord Progression

      While the focus of this guide is on the main riff and solo, the rhythm guitar also plays a vital role in the song. The chord progression consists of C, G, D, and Am.

      20. Bass Line

      The bass line of “Smoke on the Water” is equally iconic. It follows the same root notes as the rhythm guitar chords, providing a solid foundation for the song.

      21. Lead Vocal Melody

      The vocal melody of “Smoke on the Water” is relatively straightforward. It follows the same chord progression as the rhythm guitar, with some variations and embellishments.

      22. Drum Beat

      The drum beat in “Smoke on the Water” is a driving 4/4 time signature. It consists of a steady backbeat on the bass drum and snare, with cymbal crashes on the beat and off-beat.

      23. Live Performances

      “Smoke on the Water” has been a staple of Deep Purple’s live performances for decades. It’s a crowd-pleaser that never fails to get the audience moving.

      24. Other Notable Covers

      Over the years, “Smoke on the Water” has been covered by numerous artists, including Jimi Hendrix, Carlos Santana, and Elton John, each bringing their own unique interpretation to

      How To Play Smoke On The Water

      Smoke on the Water” is a classic rock song by Deep Purple, released in 1972. It is one of the most iconic and recognizable songs in rock history, and its distinctive guitar riff is known to guitarists around the world. If you’re a beginner guitarist, learning to play “Smoke on the Water” is a great way to improve your skills and learn a classic song.

      The song is played in the key of Am (A minor), and it uses a simple 4/4 time signature. The main riff is based on a descending chromatic scale, which means that the notes move down the scale one at a time. The riff is played on the low E string, and it uses a combination of pull-offs and hammer-ons to create a smooth, flowing sound.

      The rest of the song is relatively simple, and it follows a basic I-IV-V chord progression (Am-Dm-G). The lyrics are also fairly straightforward, and they tell the story of a man who is watching a fire burn on the water.

      People Also Ask About 123 How To Play Smoke On The Water

      What is the hardest part of Smoke on the Water?

      The hardest part of Smoke on the Water is the intro riff. It requires a good amount of coordination and fingerpicking skills to play it smoothly.

      Is Smoke on the Water a good song for beginners?

      Yes, Smoke on the Water is a good song for beginners to learn. It is a relatively simple song to play, and it uses basic chords and techniques.

      How long does it take to learn Smoke on the Water?

      How long it takes to learn Smoke on the Water depends on your skill level and how much time you practice. If you are a beginner, it may take you a few weeks to learn the song. However, if you are a more experienced guitarist, you may be able to learn it in a few days.

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